'', a television program that frequently reports human-interest stories]]In journalism, a human-interest story is a feature story that discusses people or in an emotional way. It presents people and their problems, concerns, or achievements in a way that brings about interest, sympathy or motivation in the reader or viewer. Human-interest stories are a type of soft news.Hughes, Helen. (Ed.). (1980). News and the Human Interest Story. New York: Routledge.
Human-interest stories may be "the story behind the story" about an event, organization, or otherwise faceless historical happening, such as about the life of an individual soldier during wartime, an interview with a survivor of a natural disaster, a random act of kindness, or profile of someone known for a career achievement. A study published in the American Behavioral Scientist illustrates that human-interest stories are furthermore often used in the news coverage of irregular immigration, although the frequency differs from country to country. Human-interest features are frequently evergreen content, easily recorded well in advance and/or rerun during holidays or slow news days.
The popularity of the human-interest format derives from the stories' ability to put the consumer at the heart of a current event or personal story through making its content relatable to the viewer in order to draw their interest. Human-interest stories also have the role of diverting consumers from "hard news" as they often are used to amuse consumers and leave them with a light-hearted story.
Human-interest stories are sometimes criticized as "soft" news, or manipulative, Sensationalism programming. Human-interest stories have been labelled as fictitious news reporting, used in an attempt to make certain content appear relevant to the viewer or reader. Human-interest stories are regarded by some scholars as a form of journalistic manipulation or propaganda, often published with the intention of boosting viewership ratings or attracting higher amounts of sales and revenue. Major human-interest stories are presented with a view to entertain the readers or viewers while informing them. Terry Morris, an early proponent of the genre, said she took "considerable license with the facts that are given to me".
The content of a human-interest story is not just limited to the reporting of one individual person, as they may feature a group of people, a specific culture, a pet or animal, a part of nature or an object. These reports may celebrate the successes of the person/topic in focus, or explore their troubles, hardships. The human-interest story is usually positive in nature, although they are also used to showcase opinions and concerns, as well sometimes being exposés or confrontational pieces.
Within Western media, the human-interest story gained notoriety when these profile pieces were published in the American magazine The New Yorker, which began circulation in 1925. Scholars of journalism have put forward that the origin of the human-interest story dates back further than this, as they cite the 1791 biography The Life of Samuel Johnson as a profile piece in which the author James Boswell utilised research, interviews and his own experiences to formulate his work, all of which are instruments of standard practice for modern journalists.Gallagher, A. (2018). Profile Pieces: Journalism and the Human Interest Bias by Sue Joseph and Richard Lance Keeble. Journal of Magazine Media, 18(2).
The human-interest story has been used by the mass media to give hope and inspire its consumers. Profile pieces on certain individuals and groups have inspired evolution in the public's perception of a "hero".Winfield, B. H., & Hume, J. (1998). The American Hero and the Evolution of the Human Interest Story. American Journalism, 15(2), 79–99. Scholars Winfield and Hume explore how heroes have evolved from cultural figures such as Abraham Lincoln, to regular people through the reporting of the human-interest story. Stories such as Esquires interview with September 11 survivor Michael Wright portray the American hero as an ordinary person with an inspiring story or profound success.
The format of human-interest stories is not limited to just news segments during television reporting or articles in a newspaper. The human-interest frame is used in many different formats with no restricting time frame. The human-interest story is not just restricted to news reporting as there are Documentary film series and feature-length movies that follow the human-interest frame.
60 Minutes is a widely known American news program that has been adapted in other countries such as Australia and New Zealand. It is a program that often utilises investigative journalism to report its stories and is a producer of human interest stories. The program often features human-interest stories on prominent sporting figures, celebrities, controversial figures and criminals such as Oklahoma City bomber Timothy McVeigh.
Newspaper publishers of significant notoriety such as The New York Times utilize the human-interest format in their works. An article titled "Invisible Child", written by Pulitzer Prize-winning journalist Andrea Elliott, concerned a homeless 11-year-old girl who lives in New York, and is listed in a list of the New York Times 50 best-ever articles. The story focuses on the struggles of Dasani and goes into significant detail about the challenges she encounters during her daily life including her sleeping by a rotten wall or having to use a mop bucket as a toilet. The article uses the human-interest format to draw sadness and sympathy from the reader and try to make them understand how difficult life can be for some people.
It has been cited that the popularity of the human-interest story stems from a concept known as "emotional arousal", as the emotions of readers and viewers when consuming human-interest stories are heightened due to the stories purpose and contents. Dutch news media studies have discovered that the human-interest frame can impact the Viral phenomenon of a story, with the findings revealing that the human-interest frame increased Facebook shares by 33% compared to articles not utilising the human-interest perspective.
In an article from the Australian newspaper The Sydney Morning Herald this view is supported as the article's publisher Chloe Smethurst explains that the over exposure of human-interest stories have led real pieces of news to be discouraged or taken less seriously. However, The Sydney Morning Herald also puts forward the notion that the lighter moments of news can make a viewer's overall experience significantly more enjoyable and entertaining. This follows the traditional view that the human-interest stories' purpose is to take the audience's attention away from the "hard news" supplied by the reporting of current events and often provide a light-hearted segment for the consumer to enjoy towards the end of a news bulletin or within a newspaper.
Craig Foster, a former Australian footballer and analyst for the Special Broadcasting Service, used the human-interest frame to advocate for Bahraini footballer Hakeem al-Araibi, an Australian political refugee who was detained in Thailand in 2018 as a result of an Interpol red notice. Foster, with the support of others, became an advocate for al-Araibi's story and campaigned for his freedom through the use of news reporting and social media, particularly Twitter. The presentation of al-Araibi's situation brought out much sympathy and anger from the public, and a petition put forward by Amnesty International labelled "#SaveHakeem", asking for his release, garnered over 60,000 signatures. al-Araibi was released in February 2019.
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